{"id":2889,"date":"2013-03-17T17:24:36","date_gmt":"2013-03-18T00:24:36","guid":{"rendered":"http:\/\/www.chezarts.com\/?p=2889"},"modified":"2013-03-18T20:47:21","modified_gmt":"2013-03-19T03:47:21","slug":"flight","status":"publish","type":"post","link":"https:\/\/blog.chezmana.com\/?p=2889","title":{"rendered":"Flight"},"content":{"rendered":"<div id=\"attachment_2890\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/In-Flight-oil-on-wood-5-x-7-2012-e1363467479681.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2890\" class=\"size-medium wp-image-2890\" alt=\"Roshan Houshmand, &quot;In Flight,&quot; 2012, oil on wood, 5&quot; x 7&quot;\" src=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/In-Flight-oil-on-wood-5-x-7-2012-300x190.jpg\" width=\"300\" height=\"190\" \/><\/a><p id=\"caption-attachment-2890\" class=\"wp-caption-text\">Roshan Houshmand, &#8220;In Flight,&#8221; 2012, oil on wood, 5&#8243; x 7&#8243;<\/p><\/div>\n<h2>In Flight<\/h2>\n<p>In flight towards Paris. The image of a painting comes to my mind.\u00a0A black bird flies inside <a title=\"Vincent Van Gogh\" href=\"http:\/\/en.wikipedia.org\/wiki\/Van_Gogh\" target=\"_blank\">Van Gogh<\/a> clouds. The swirling white clouds around the bird remind me of the countries I am about to experience.\u00a0\u00a0The painting is called <em>In Flight<\/em> by artist\u00a0<a title=\"Roshan Houshmand\" href=\"http:\/\/www.roshanhoushmand.com\" target=\"_blank\">Roshan Houshmand<\/a>.<\/p>\n<p>Like the bird, I want to move freely across the skies and blend in with the clouds. To immerse myself in each culture, what better way than to come in close contact with the art, artists, and people in those places.<\/p>\n<h2><strong>Paris<\/strong><\/h2>\n<p>In Paris, I see the universal need for freedom expressed in three quite different forms.<\/p>\n<p>In the movie called <a title=\"Wadjda\" href=\"http:\/\/www.imdb.com\/title\/tt2258858\/\" target=\"_blank\">Wadjda<\/a>, the main character is a 10-year-old girl who lives in Saudi Arabia. She longs for a blue bike she has seen in a shop window. She would like to learn to ride it and beat her friend Abdullah in a race. Soon she realizes all the hurdles in front of her in a society where girls are treated quite differently from boys. \u00a0Her innocence, joyfulness and determination are irresistible. <a title=\"Haifaa al Mansour\" href=\"http:\/\/en.wikipedia.org\/wiki\/Haifaa_al-Mansour\" target=\"_blank\">Haifaa Al-Mansour<\/a>, the first female Saudi director, uses a straightforward depiction of local elements to communicate her powerful messages lightly. The result is a delicately touching movie that reveals deep rooted issues facing a Saudi girl who wants freedom to fly on a bike.<\/p>\n<p>The exhibit \u201cVan Gogh Dreaming of Japan\u201d at the <a title=\"Pinacoth\u00e8que\" href=\"http:\/\/www.pinacotheque.com\/\" target=\"_blank\">Pinacoth\u00e8que museum<\/a> expresses Van Gogh&#8221;s yearning to be free from inner turmoil. While his bipolarity created havoc in his life, his art drew inspiration from the peaceful landscapes of the Japanese artist, <a title=\"Utagawa Hiroshige\" href=\"http:\/\/en.wikipedia.org\/wiki\/Hiroshige\" target=\"_blank\">Utagawa Hiroshige<\/a>. The exhibit juxtaposes several of their paintings for the first time and concludes that the themes of Hiroshige had a central place in the majority of Van Gogh\u2019s landscapes from 1887 onwards. Van Gogh sought serenity, structure and peace through these works.<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/TKM99VTqaME\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p>Across the street, a second exhibit of <a title=\"One Hundred Famous Views of Edo\" href=\"http:\/\/en.wikipedia.org\/wiki\/One_Hundred_Famous_Views_of_Edo\" target=\"_blank\">Utagawa Hiroshige&#8217;s One Hundred Famous Views of Edo<\/a> presents a poetic, and serene view of a distant culture, in a time before <a title=\"Edo\" href=\"http:\/\/en.wikipedia.org\/wiki\/Edo\" target=\"_blank\">Edo<\/a> was opened to Westerners.<\/p>\n<p>When Hiroshige became a Buddhist monk, he found the freedom within himself to begin painting this series of masterpieces, composed of 118 splendid woodblock landscapes of mid-nineteenth-century Tokyo. Hiroshighe\u2019s prints show an enchanting old Japan with daring and imagination. This work is one of the greatest achievements of Japanese art. Hiroshige died during the great cholera epidemic of 1858. Just before his death, he left a poem:<\/p>\n<blockquote><p>I leave my brush in the East<br \/>\nAnd set forth on my journey.<br \/>\nI shall see the famous places in the Western Land.<\/p><\/blockquote>\n<h2>Istanbul<\/h2>\n<div id=\"attachment_3004\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/Blue-Mosque-Panorama.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3004\" class=\"size-medium wp-image-3004\" alt=\"Sultan Ahmed Mosque, Istanbul\" src=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/Blue-Mosque-Panorama-300x225.jpg\" width=\"300\" height=\"225\" srcset=\"https:\/\/blog.chezmana.com\/wp-content\/uploads\/2013\/03\/Blue-Mosque-Panorama-300x225.jpg 300w, https:\/\/blog.chezmana.com\/wp-content\/uploads\/2013\/03\/Blue-Mosque-Panorama-1024x768.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-3004\" class=\"wp-caption-text\">Sultan Ahmed Mosque, Istanbul<\/p><\/div>\n<p>Turkey is a country that bridges East and West like no other. Istanbul, its gem of a city, is filled with architectural masterpieces of Europe and Asia from many centuries. It is a \u00a0cosmopolitan city that bears the imprint of many historical influences. The fusion of so many elements is unique.<\/p>\n<p><a title=\"Sultan Ahmed Mosque\" href=\"http:\/\/en.wikipedia.org\/wiki\/Sultan_Ahmed_Mosque\" target=\"_blank\">The Sultan Ahmed Mosque<\/a> (also known as the Blue Mosque) combines <a title=\"Islamic architecture\" href=\"http:\/\/en.wikipedia.org\/wiki\/Islamic_architecture\" target=\"_blank\">Islamic tradition<\/a> with <a title=\"Byzantine architecture\" href=\"http:\/\/en.wikipedia.org\/wiki\/Byzantine_architecture\" target=\"_blank\">Byzantine<\/a> church design. Despite its massive scale, the building seems graceful and light. The inner courtyard is as large as the mosque itself, creating a feeling of openness and balance.<\/p>\n<div id=\"attachment_3025\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/Interior-Courtyard-Blue-Mosque.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3025\" class=\"size-medium wp-image-3025\" alt=\"Sultan Ahmed Mosque, interior courtyard\" src=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/Interior-Courtyard-Blue-Mosque-300x225.jpg\" width=\"300\" height=\"225\" srcset=\"https:\/\/blog.chezmana.com\/wp-content\/uploads\/2013\/03\/Interior-Courtyard-Blue-Mosque-300x225.jpg 300w, https:\/\/blog.chezmana.com\/wp-content\/uploads\/2013\/03\/Interior-Courtyard-Blue-Mosque-1024x768.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-3025\" class=\"wp-caption-text\">Sultan Ahmed Mosque, interior courtyard<\/p><\/div>\n<div id=\"attachment_3009\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/Istanbul-Modern-Terrace.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3009\" class=\"size-medium wp-image-3009\" alt=\"Istanbul Modern. view from its caf\u00e9\" src=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/Istanbul-Modern-Terrace-300x225.jpg\" width=\"300\" height=\"225\" srcset=\"https:\/\/blog.chezmana.com\/wp-content\/uploads\/2013\/03\/Istanbul-Modern-Terrace-300x225.jpg 300w, https:\/\/blog.chezmana.com\/wp-content\/uploads\/2013\/03\/Istanbul-Modern-Terrace-1024x768.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-3009\" class=\"wp-caption-text\">Istanbul Modern. view from its caf\u00e9<\/p><\/div>\n<p><a title=\"Istanbul Museum of Modern Art\" href=\"http:\/\/en.wikipedia.org\/wiki\/Istanbul_Museum_of_Modern_Art\" target=\"_blank\">The Istanbul Museum of Modern<\/a> Art on the shores of the<a title=\"Bosphorous\" href=\"http:\/\/en.wikipedia.org\/wiki\/Bosphorous\" target=\"_blank\"> Bosphorus<\/a>, with its wide selection of contemporary Turkish artists, was quite a discovery. I was especially drawn to the works of <a title=\"Burhan Do\u011fan\u00e7ay\" href=\"http:\/\/en.wikipedia.org\/wiki\/Burhan_Do%C4%9Fan%C3%A7ay\" target=\"_blank\">Burhan Do\u011fan\u00e7ay<\/a>, who passed away this past January.<\/p>\n<p>Do\u011fan\u00e7ay was fascinated by urban walls as a record of human life. The advertising, political posters, and graffiti embody the conflicts and quest for communication between individuals, establishment, the man-made city and nature. His art, although abstract, is emotional, social and political. He is the first Turkish artist to have a piece in the permanent collection of New York&#8217;s Metropolitan Museum of Art.<\/p>\n<p>In an interview shortly before his death, Do\u011fan\u00e7ay\u00a0was asked how urban walls had changed since the 1960s and \u201970s, when many of the posters and leaflets carried messages of political protest. \u201cWalls are clean now, because there is social media and computers, the youth are not as angry as they were.\u201d<\/p>\n<h2>Tehran<\/h2>\n<p>When I arrived in Iran, I found a country full of contradictions. Beautiful people living a harsh existence next to the rich and wealthy. Beautiful sites and museums devoid of visitors.<\/p>\n<p>Entering the <a title=\"Golestan Palace\" href=\"http:\/\/en.wikipedia.org\/wiki\/Golestan_Palace\" target=\"_blank\">Golestan Palace<\/a> was like stepping into a different world. Its quiet beauty was shocking after the noise and bustle of the city outside. \u00a0The place was nearly empty of visitors. \u00a0I had come to see the original Baysonghori\u00a0<i><a title=\"Shahnameh\" href=\"http:\/\/en.wikipedia.org\/wiki\/Shahnameh\" target=\"_blank\">Shahnameh<\/a>.\u00a0<\/i>\u00a0 The stillness of the palace made me feel more connected to the history behind it. \u00a0The complex was built during the <a title=\"Qajar\" href=\"http:\/\/en.wikipedia.org\/wiki\/Qajar_dynasty\" target=\"_blank\">Qajar<\/a> era, 200 years ago. \u00a0Parts of it were destroyed during the modernization of <a title=\"Reza Shah\" href=\"http:\/\/en.wikipedia.org\/wiki\/Reza_Shah\" target=\"_blank\">Reza Shah<\/a>.<\/p>\n<div id=\"attachment_3034\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/Golestan-PalaceTehran-Tahkt-\u00e9-Marmar.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3034\" class=\"size-medium wp-image-3034\" alt=\"Golestan Palace, Tehran, Tahkt-\u00e9 Marmar\" src=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/Golestan-PalaceTehran-Tahkt-\u00e9-Marmar-300x168.jpg\" width=\"300\" height=\"168\" srcset=\"https:\/\/blog.chezmana.com\/wp-content\/uploads\/2013\/03\/Golestan-PalaceTehran-Tahkt-\u00e9-Marmar-300x168.jpg 300w, https:\/\/blog.chezmana.com\/wp-content\/uploads\/2013\/03\/Golestan-PalaceTehran-Tahkt-\u00e9-Marmar-1024x576.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-3034\" class=\"wp-caption-text\">Golestan Palace, Tehran, Tahkt-\u00e9 Marmar<\/p><\/div>\n<p>The Grand <a title=\"The Grand Bazaar\" href=\"http:\/\/en.wikipedia.org\/wiki\/Bazaar\" target=\"_blank\">Bazaar<\/a> with its kaleidoscope of colors, sounds, and activities all having their own rhythm was like a symphony working well together. \u00a0It made me think of how a \u00a0busy and seemingly chaotic economic hub has its own untold rules and close ties.<\/p>\n<p>Lunch with members of the Tarkovsky Quartet and <a title=\"Nour Ensemble\" href=\"http:\/\/www.nourensemble.com\/page.aspx?id=6\">Nour Ensemble<\/a> at a multi-story restaurant reinforced the feeling of hidden mastery. The restaurant served at least 250 people within a very short time, providing delicious food, reflecting the elaborate cuisine of an ancient culture. On that day, despite the\u00a0heavy pollution in Tehran,\u00a0I had the sharpest view of Mount\u00a0<a title=\"Mount Damavand\" href=\"http:\/\/en.wikipedia.org\/wiki\/Mount_Damavand\" target=\"_blank\">Damavand<\/a>. The highest volcano in Asia, Damavand\u00a0holds a special place in Persian mythology and literature. It is the magical home of three-headed dragons and a prison for defeated tyrants.<\/p>\n<div id=\"attachment_3012\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/Talareh-Vahdat.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3012\" class=\"size-medium wp-image-3012\" alt=\"Crowd at Talareh Vahdat, performance of Tarkovsky Quartet\" src=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/Talareh-Vahdat-300x168.jpg\" width=\"300\" height=\"168\" srcset=\"https:\/\/blog.chezmana.com\/wp-content\/uploads\/2013\/03\/Talareh-Vahdat-300x168.jpg 300w, https:\/\/blog.chezmana.com\/wp-content\/uploads\/2013\/03\/Talareh-Vahdat-1024x576.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-3012\" class=\"wp-caption-text\">Crowd at Talareh Vahdat, performance of Tarkovsky Quartet<\/p><\/div>\n<p>I saw the performance of Tarkovsky Quartet at the\u00a0<a title=\"Vahdat Hall\" href=\"http:\/\/en.wikipedia.org\/wiki\/Vahdat_Hall\" target=\"_blank\">Vahdat Hall<\/a>. The Quartet appears regularly at\u00a0European concerts and festivals. The artists told me how well the people treated them and I saw how much the audience adored them. Their music symbolizes the quest for expression, freedom in the form of improvisation, and reflection. The Iranians were there embracing them with applause.<\/p>\n<div id=\"attachment_3030\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/Tarkovsky-Quartet-at-Vahdat-Hall.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3030\" class=\"size-medium wp-image-3030\" alt=\"Tarkovsky Quartet at Vahdat Hall\" src=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/Tarkovsky-Quartet-at-Vahdat-Hall-300x168.jpg\" width=\"300\" height=\"168\" srcset=\"https:\/\/blog.chezmana.com\/wp-content\/uploads\/2013\/03\/Tarkovsky-Quartet-at-Vahdat-Hall-300x168.jpg 300w, https:\/\/blog.chezmana.com\/wp-content\/uploads\/2013\/03\/Tarkovsky-Quartet-at-Vahdat-Hall-1024x576.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-3030\" class=\"wp-caption-text\">Tarkovsky Quartet at Vahdat Hall<\/p><\/div>\n<p>I took a long cab ride to see my dad\u2019s burial place. I needed three numbers to find his tomb but had only two so I had to search and search. I was starting to feel weary from the long unfruitful trip. By now, I had had a full view of the cemetery but no sign of my own dad. Finally, I saw him in what looked like the most peaceful and beautiful spot, in a gorgeous setting surrounding a simple but mighty stone. My dad, belonging to a bygone era, was gone. The images of <em>One hundred famous View of Edo<\/em> came to my mind. Some things are so gorgeous that they never leave us. \u00a0I wept a tear of gold.<\/p>\n<h2>I wept a tear of gold<\/h2>\n<div id=\"attachment_2944\" style=\"width: 225px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/I-wept-a-tear-of-gold-004-Copyright-e1363474262447.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2944\" class=\"size-medium wp-image-2944\" alt=\"Michel Bellaiche, &quot;I wept a tear of gold,&quot; 2013, 1368 x 1904\" src=\"http:\/\/www.chezarts.com\/wp-content\/uploads\/2013\/03\/I-wept-a-tear-of-gold-004-Copyright-215x300.jpg\" width=\"215\" height=\"300\" \/><\/a><p id=\"caption-attachment-2944\" class=\"wp-caption-text\">Michel Bellaiche, &#8220;I wept a tear of gold,&#8221; 2013, 30 x 40 cm, acrylic with china and colored calligraphic inks<\/p><\/div>\n<p><em>I wept a tear of gold<\/em> is the title of a work by a French-Tunisian artist, <a title=\"Michel Bellaiche\" href=\"http:\/\/www.bellaiche.net\/index.html\" target=\"_blank\">Michel Bellaiche<\/a> whom I recently met. \u00a0With his Mediterranean roots, Michel&#8217;s connection to light, sounds, smell and colors is deep and is reflected in his artwork. Words also have a central role in his life. \u00a0The title of each work develops its meaning. His poetry provides another expression of his artistic sensitivity. Bellaiche currently lives in Spain and has traveled to Iran. He has painted a series of works based on Persian miniatures he saw during his visit there. I am excited about his art and plan to write more about him soon. Visit his <a title=\"Michel Bellaiche\" href=\"http:\/\/www.bellaiche.net\/miniatures.html\" target=\"_blank\">website<\/a>\u00a0to see other examples of his work.<\/p>\n\r\n\t<div style=\"\">\r\n\t\t<a href=\"http:\/\/twitter.com\/share\" class=\"twitter-share-button\" data-count=\"vertical\" data-text=\"Flight\" data-url=\"https:\/\/blog.chezmana.com\/?p=2889\" >Tweet<\/a>\r\n\t<\/div>\r\n\t<script type=\"text\/javascript\" src=\"http:\/\/platform.twitter.com\/widgets.js\"><\/script>","protected":false},"excerpt":{"rendered":"<p>In Flight In flight towards Paris. The image of a painting comes to my mind.\u00a0A black bird flies inside Van Gogh clouds. The swirling white clouds around the bird remind me of the countries I am about to experience.\u00a0\u00a0The painting is called In Flight by artist\u00a0Roshan Houshmand. Like the bird, I want to move freely [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[6],"tags":[30,34,26,33,29],"_links":{"self":[{"href":"https:\/\/blog.chezmana.com\/index.php?rest_route=\/wp\/v2\/posts\/2889"}],"collection":[{"href":"https:\/\/blog.chezmana.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.chezmana.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.chezmana.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.chezmana.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2889"}],"version-history":[{"count":154,"href":"https:\/\/blog.chezmana.com\/index.php?rest_route=\/wp\/v2\/posts\/2889\/revisions"}],"predecessor-version":[{"id":3044,"href":"https:\/\/blog.chezmana.com\/index.php?rest_route=\/wp\/v2\/posts\/2889\/revisions\/3044"}],"wp:attachment":[{"href":"https:\/\/blog.chezmana.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2889"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.chezmana.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2889"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.chezmana.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2889"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}